Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre has Origami Star Ornament done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, but the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Origami Flower Lotus to avoid the complexities of a model achieved exclusively by folding.
Fleur origami
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modelling particularly when foil has been used and one can make sure of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Avion En Papier Pliage Simple Yoshizawa at a Convention in Liverpool. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and are approaching figurine rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the end to show the Origami Paper multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of paper each folded to represent some part of the creature and then brought with each other. The idea may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a monster from a number of squares of different sizes.
Comment faire un avion en papier
Within the most extreme combos of water and papers we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe easiest step from your single colour is one side female and one white or plain. A great offer of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form Construire Un Bateau En Papier Maché of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda
has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form organic beef use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.
